Saturday,
February 17, 2001
12:17 a.m. I've been
working, on and off, on a whole new system set-up on my old
machine. It's a slight upgrade, from 8.1 to 8.6, but it wall
allow me to use the newer Photoshop with the nifty
sub-program of Imageready, and eventually ... you'll know
all about it here because once I figure it out (with the
help of my own private computer guru) there will be some
kind of nifty rollover or other accomplished popup or blur
here and there on these pages.
Meanwhile, I wanted to show you my new desktop. Isn't it
just the cutest? It's got a sort of "Where's Waldo?" feel
about it, with my ten desktop files cleverly folded into the
photo.
Some are well-nigh invisible, if I may say so myself. I
did experiment a while ago with a little bit of shareware
that promised to remove the labels entirely, but that didn't
work out. For now, my files are named: "., .., ..., ....,
etc., except for the trash and a file named docs.
Ah, yes. Some days there' s a lot of heavy lifting around
here, I tell you that.
I don't know how long I'm going to keep a photo up on my
desktop, however. It's sort of strange to me. Makes my
screen feel less solid. Plus, whatever photo I choose
eventually becomes sort of an emotional sucking hole after a
while.
It starts out ok, and I love seeing a photo spread all
the way across the screen ... and the first few times I look
at it I like it the way I liked it the first time I
photographed it ... but then ... the deeper, secondary
emotions that actually saturate everything begin to seep to
the surface and I start to get deeper and stronger feelings
...
... in the matter of this photo, I begin to think of the
coldness of the water and how foreign it would feel to fall
into it ... how much I notice that the sun isn't shining
.... how expensive the houses on the canals are ... and how
could the neighborhood be friendly when everyone there is in
more than a million dollars' worth of debt ... and on and
on.
Earlier I had a photo of one of the walls of my living
room and after a day with it, I began to feel unbelievably
claustrophobic and trapped. I conclude, therefore, that
photos are made to be glanced at, not lived with.
And computer monitors should maybe be flat,
one-dimensional surfaces upon which files are scattered.
I've had a lined, yellow-legal-pad design for a long time
and that was nice and restful. Ditto the pale bulletin
board. Flat is the key.
Actually, the strangest scene I've ever had for a desktop
was one of the old gray and white landscapes of Mars. The
one with the "face" on it. Talk about cold. Talk about
forlorn. Talk about lonely in the middle of the night
...
Another one I want to try is to photograph the scene I
would see right behind the monitor if the monitor wasn't
there. Get it? That would be kind of cool, actually, because
if you can get the size right, you can pretty much hang your
icons in thin air, so to speak.
Virtual thin air. Thin air once removed, reality mocked
and repackaged, thus giving you a po-mo-nitor, if you want
to be that way about it.
And so goes another Saturday night from the desktop of
another citizen of the imaginary world we call here and
now.
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