Friday, August 25,
2000
12:16 a.m. There is only one thing between artistic
success and failure, I think. It's hard to remember and easy
to forget. It isn't the paycheck or the award or the good
reviews, much as you might want those things. It's the
decision not to quit. That's it. That's all there is to
it.
It's a funny thing. You can't call yourself a success
just because someone else calls you a success. You can't
feel good about yourself just because someone else thinks
you're good. It's so weird -- you've got to doggedly plow
on, snowblind and unblinking, in spite of whatever anyone
throws your way. You've got to keep on going because that's
what you do. That's who you are.
And then there's the public, versus the private
artist.
I guess we all have a private dialogue with the moment.
We all know what it feels like -- for me, I'm feeling it
right now -- this is the moment where the pixels meet the
screen and I erase and try again. I twist the thoughts
around until I make some sense, or I erase it and I try
again. It's a relay. When one sentence works the way it
should, I have an easy handoff to the next, and the
next.
Or, I wait. And I try something else. If it makes it out
of the incubator of The Moment, I feel comfortable that it
will last a little while in the outside world. I believe
it's alive, and I send it on its way. If the public hates it
-- that's ok, too. I know the public has many faces. And I
know what it is that I'm making.
I've been thinking about art a lot lately, especially as
I contemplate, along with some of my favorite online
journalists, how much longer I should consider writing here
every day. Forgive me for not mentioning names, but the
journalists I'm talking about are hugely popular and the
last thing any one of them needs is more publicity and more
letters to answer about a private issue that hasn't been
decided.
I think that when you wonder if you're good enough, or
any good at all -- I think that's the time to really dig in
and go down to the next level. You've probably just run out
of air and yes, you need a change of atmosphere. On the
other hand, if you don't want to dig, scrape, burrow, or
otherwise hack your symbols out of the sheer rockface any
longer -- I suppose I might agree that you can quit.
But, I don't think you *should* quit. Not ever.
It isn't just that misery likes company. It's much more
than that. Misery absolutely loves company and since we're
all miserable, we all love the company. We also need to hear
each other's voices in the dark or we would go mad from the
isolation.
Anonymous and his
work.
Lately, I've been trying to decide how far from my life's
goals I have strayed. How would I even know? Am I in the
right place right now, doing what I'm supposed to be doing?
Or is that too arrogant a question to ask?
I mean -- what if this is a perfect universe and what if
we're always in the right place doing the right thing? What
if I'm filling the all-important slot of failure? What if
that's my special, secret mission -- to make those who know
me feel better about themselves just because they're not
me?
See what you get when you think too much?
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